Meet Dwight Henry, Baker of the Southern Wild

How does your experience as a baker influence your acting? With Wink, it actually showed some of my leadership qualities. The characters looked up to Wink and he had to be a sort of leader to this group of people. I was one of them old holdouts during Hurricane Katrina, protecting my store. Being an employer, people look up to me for their livelihood. I have to be there for them.

Read about Buttermilk Drop bestsellers at Food & Wine.

Where Fantasy Meets Reality - Out of Order Magazine

OOO: The whole movie – shooting the movie, producing the movie – from what I heard it was a very hectic experience. How would you describe it? Zeitlin: It’s really physical. What I like about our shoots is that we set up so many obstacles that are so hard to actually get your shot. You have fire on a boat with the kid, and you have animals running around and one of them is going the wrong way, and there are mosquitoes and heat, and all of these things almost make it impossible to be intellectual about things. You just have to be an athlete and go and try to conquer these things that you’ve set up for yourself. It’s a very physical experience, which I like, because I think you can overthink things. But we just get to try and charge in some ways.

Read the whole thing at Out Of Order Magazine.

TimesTalk Madrid with Benh Zeitlin

It's sort of like being a football coach. In a way it's good practice for a director because often times you over-intellectualize what you're giving to an actor but you have to talk very simply and you have to speak very emotionally [to a 6-year-old]. It wasn't like she just walked onto set, we worked on the character for 3 months... she really did understand what she was doing but the way that we would get to that place, as opposed to talking out the psychology of the character, I'd tell her, this is a scene where you're really angry, and she'd say "Am I yellow angry, red angry, or purple angry?" and I'd say, "well what's the highest anger?" and she'd say "well, purple is the highest." And I'd say, "ok, I want purple." And she'd say "No. You don't want purple. You don't even wanna see purple. I'll give you red but no purple." -- Benh Zeitlin on directing Quvenzháne Wallis

The New York Times collaborated with the city of Madrid in bringing speakers from the disciplines of film, theater, and music and hosting conversations at their TimesTalk Madrid series.  This past Sunday, September 23rd, they presented an incredible conversation with Benh Zeitlin and New York Times media columnist David Carr, following Beasts of the Southern Wild's Madrid debut.